LIBRARY 


M Kooedler® Co. 


14 East 57th St. 
New York 


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/ DOUGLAS TAYLOR 
PRINTER, 
89 NASSAU ST., Nu Ye 


FIRST NIGHTS SALE, 
Tuesday, February rith, at 8 oClock promptly, 


AY THE 


AMERICAN ART GALLERIES, 


PAINTINGS, WATER-COLORS, 


DRAWINGS, &c. 


REMBRANDT. 


goz ST. JOHN PREACHING. 
Etching. 


EHNINGER, John W. 


903 CORN HUSKING. 
904 MILKING TIME. 
gos FEEDING THE PIGS. 
906 CUTTING THE MAIZE. 
India Ink Drawings. 


VAN DER MEER, Jr., J. 


907 LANDSCAPE AND CATTLE, and Companion. 


Drawings. 


4 W ATER-COLORS. 


908 PORTRAIT OF THOMAS JEFFERSON. 


Colored Engraving by Sokolnicki, after the design of Tadée Kosciusko, 


go9 IO UND JUPITER. 
Engraving. 


WM. H. 


gto COUNTRY GIRL. 
Water-Color. 


FRENCH SCHOOL. 


gII THE BOUDOIR. 
‘Water-Color. 


BLANC, JOSEPH. 


gi2 AT THE WELL: 
Water-Color. 


THWAITES, W. H. 


913 HIGHLAND LANDSCAPE. 
Water-Color. 


PERLBERG, R., Munich. 


914 TOLEDO CATHEDRAL. 
O15 CAMP: AND RUINS: 


Water-Colors. 


W ATER-COLORS. 


FARRER, H. 


916 COAST SCENE, 


Water-Color. 


WANDESFORDE, J. B. 


917 THE OLD BRIDGE. 


Water-Color. 


BUCKLER, J. C., R. A. 


1770-1851. 


918 SCENE IN VENICE. 


Water-Color. 


MACLISE, Daniel, R. A. 


1811-1870. 


919 GIPSY FORTUNE-TELLER. 


Water-Color. 


MACLISE. 


920  GIPSY MUSICIAN. 


Water-Color. 


O21 


Sh 


924 


TES 


927 


W ATER-COLORS AND PAINTINGS. 


MACLISE. 


GIPSY) CAMP. 


Water-Color. 


MACLISE. 


AT THE SPRING, 


Water-Color. 


CARLO DOLCI SCHOOL. 


HOLY FAMILY. 


Water-Color. Carved Wood Frame. 


GAMBA DE PREDOUR. 


FRENCH MILKMAN. 


Water-Color. 


ITALIAN LANDSCAPE. 


Carved Frame. 


FLEMISH SCHOOL. 


DUTCH INTERIOR. 


COMPANION PICTURE. 


PAINTINGS. 


TISCHBEIN, J. H. 


1722-1789. 
928 GARDEN PARTY. 


929 COMPANION PICTURE. 


EISEN, C. D. J. 


1720-1778. 


930 JUPITER AND CALYPSO. 


' This Drawing has been engraved. 


WEIR, J. Alden. 


931 ROSES. 


WOODS. 


Pupil of Turner. 


932 MISTY MORNING ON THE TWEED. 


BONNINGTON, H. J. 


1811-1865. 


933 LANDSCAPE AND CATTLE. 


Purchased at the Royal Academy Exhibition, London, 1851. 


934 


935 


936 


937 


938 


939 


940 


PAINTINGS. 


CHARTRAND, Ph. 


TROPICAL LANDSCAPE. 


CHARTRAND, Ph. 


COAST SCENE. 


Circular Plaque. 


DUTCH SCHOOL. 


DR. FAUST. 


ITALIAN SCHOOL. 


HEAD OF A PATRIARCH. 


ITALIAN. 


HEAD. 


Fragment from a larger painting. 
ENGLISH LANDSCAPE. 


FIVE DESIGNS FOR FRESCOES IN THE ANTWERP 
STATE HOUSE. PANDORA, &c. 


PAINTINGS. 


941 OLD FLOWER PIECE. 


942 ENGLISH VILLAGE SCENE. 


TENIERS, D. 
(Copy.) 


943 DUTCH TAVERN SCENE. 


CROME, John, or “OLD CROME,” R. A. 


£7090-1521, 


944 LANDSCAPE AND CATTLE. 


DIAZ, N. 


945 LE TROUPEAU DANS LA FORET. 


Painting on Copper. 


OSTADE, A. J. Van. 


1610-1685. 


946 THE SMOKER. 


MAY, E. H. 


947 THE KNIGHT. Paris, 1850. 


IO 


948 


949 


95° 


Dp 


PAINTINGS. 


MAY, E. H. 


CGENONE. 


ITALIAN. 


PURIFICATION OF THE VIRGIN. 


BYZANTINE. 


BETRAYAL OF CHRIST. 


From the Maitland Collection 


BEAULIEU, F. 


LANDSCAPE: (1872: 


Environs of Nemours. 


SHATTUCK, A. D. 


LANDSCAPE AND CATTLE. 


DUTCH SCHOOL. 


PORTE BLANCHE, UTRECHT. 


Numerous seals on back, but artist unknown. 


954 


955 


956 


957 


958 


959 


PAINTINGS. Tt 


SPANISH SCHOOL. 


CHRIST AND THE TWELVE APOSTLES. 


Purchased from the Canon of the’ Cathedral at Lima, where it had been 
for two hundred years. 


HENNEKER, O. 


LANDSCAPE. 


HAMOCK. 


MUSIDORA. 


BUTLER, George B. 


CAT AND KITTENS. 


OSTADE, A. J. Van. 


1610-1685, 


INTERIOR OF DUTCH TAVERN. 


VANDER HULST, Pieter. 


“CHEMICAL LABORATORY. 


SECOND NIGHTS SALE, 


WEDNESDAY, FEBRUARY “12TH, at [Gio croc 


AT THE 


AMERICAN ART GALLERIES. 


VAN DER CAPELLE, Jan. 


960 COAST SCENE. 


WOUVERMANS. 


96: HOLLAND COTTAGE. 


Carved frame. 


VERHEYDEN, F. 


962 THE OLD PRIEST. 


VELASQUEZ (after). 


963 HEAD OF WOMAN. 


From the Beaumont Collection. 


SASSOFERRATO. 
1605-1685. 
964 MADONNA. 


PAINTINGS. 


TIEPOLO, G. B. 


1692-1770. 


965 THE ASSUMPTION OF THE VIRGIN. 


Carved frame. 


TASSI, Augustino. 


Master of Claude Lorraine. 1566-1642. 


966 ITALIAN LANDSCAPE. 


RUYSDAEL, J. 


1630-1682. 


967 STREET SCENE IN ANTWERP. 


Painted in 1682. ; 


ROOS, Phillip, called ROOS DA TIVOLI. 


1655-1705. 


968 LANDSCAPE AND CATTLE. 


Painting on Copper. 


PORTA, Guiseppe, called SALVIATI. 


1520-1580 


969 BIRTH OF CHRIST. 


METRKERCHEBE, P. 


970 FRUIT. 
Painted in 1660. 


14 


971 


972 


973 


974 


976 


PAINTINGS. 


MORLAND, George. 


1763-1804. 
OLD INN. 


ITALIAN, XVI. Century. 
THE CRUCIFIXION, 


Curious frame, with stone and filagree setting 


HALS, Franz. 
1580-1666. 


PORTRAIT OF 


GUARDI, Francesco. 
1712-1793. 


ST. MARK’S, VENICE. 


DIETRICH, C. W. E. 


1712-1774. 
S eer AAT ES. 


This painting has been engraved. 


HOBBEMA, Meindert. 


1638-1709. 
HOLLAND LANDSCAPE, 


OFF 


978 


979 


980 


g8I 


982 


on 


PAINTINGS. I 


GREUZE (after). 


HEAD OF THE PRINCESS LAMBALLE. 


CUYP, Aelbert. 


1605-1691. 


LANDSCAPE AND CATTLE. 


HERRING, J. F., R. A. 
1795-1865. 


FARM YARD. 


HOET, Gerard. 
1648-1733. 
MARRIAGE OR BETROTHAL SCENE. 


Painting on Copper. 


JOHNSON, Eastman. 


INTERIOR OF WASHINGTON’S KITCHEN. 


MAN, Cornelius. 


1621-1706. 


INTERIOR OF GUARD HOUSE. 


TOae PAINTINGS. 


RICCI, Sebastian. 
1659-1734. 


983 DEATH OF ST. JOSEPH. 


SMIRKE, Robert. 
1752-1845. 


984 INITIATION TO THE MYSTERIES OF ISIS. 
985 THE FINAL RESIGNATION OF PREJUDICES. 
986 PRISON SHIP. 


These are the original designs for the engravings in the Columbiad. 


DENIERS),, Jr. David 


1610-1694. 


987 A GAME OF BOWLS. 


Painted in 1671. 


VAN DE VELDE. 


1610-1693. 


988 LANDSCAPE AND CATTLE. 


Purchased at the sale of the Cardinal Fiesch. 


WILLAARTS, Adam. 


1577-1660. 


989 DEPARTURE OF THE PILGRIMS FROM DELFT. 


999 


uot 


992 


A 


PAINTINGS. 17 


WOUVERMAN, Philip. 


1614-1668. 


HORSES AT THE DRINKING TROUGH. 


ITALIAN—XVI. CENTURY. 


THE LAST SUPPER. 


PORTRAIT OF ROBERT BURNS AS A YOUTH. 


This portrait was painted for Mary Campbell, otherwise ‘‘ Highland 


Mary.” It was brought to this country by Mrs. Cunningham (first 
cousin of Burns’ sweetheart) from Androssan, in Scotland, and by her 
given to Dr. Barlow, her physician, in 1850. Mrs. Cunningham was 
over gO years old when she died, and though she persistently refused to 
sell the picture, desired to have its record preserved. The name of the 
artist, however, had been forgotten, and though once fairly traced, has 
not been recorded. 


LE BRUN, Charles. 


1619-1690. 


FAMILY OF DARIUS AND ALEXANDER. 


A design for Tapestry made at the Gobelin factory while Le Brun 


was director. 


9904 


995 


996 


997 


998 


PAINTINGS. 


BELLINI, Giovanni. 


1426-1516. 


VIRGIN AND CHILD, ST. MARGUERITE AND SIT. 
CATHERINE. 


Taken from a Gallery in Silesia by the troops of Napoleon, but after © 
returned. On the endorsement of Sir Charles Eastlake it was secured 
by the late owner. 


BONHEUR, Peyrol. 


CAT AND KITTENS. 


BONHEUR, Peyrol. 


BriCH AN Dares 


TENIERS, Jr., David. 


1610-1694. 


HOLLAND VILLAGE. 


CONSTABLE, John, R. A. 


1776-1837. 


THE RIVER TAVY AT TAVISTOCK. 


PAINTINGS. 


CRESWICK, Thomas, R. A. 


1811-1869. 


999 - THE TROUT POOL. 


DUPE oolo, |. ~. 


1725-1802. 5 


1000 PORTRAIT OF BENJAMIN FRANKLIN. 


Pastel. 


BOTH, John. 


1610-1650, 


IOOI ITALIAN LANDSCAPE AND FIGURES. 


MURILLO, Bart. Est. 


1618-1671. 


Beccs SHEPHERDS. 


From the Bickoff collection, St. Petersburg. 


19 


20 PAINTINGS. 


POUSSIN, Nicholas. 
1594-1665. 


1003 +~=9ST. JOHN PREACHING. 


In monochrome, signed. 

The figures are portraits of the entire Poussin family, Nicholas repre- 
senting himself on the right of the picture with a portfolio under his 
arm. 

The painting was brought to this country early in the century by an 
Italian nobleman who came with the intention of making large invest- 
ments in Western lands. Becoming involved in this and other finan- 
cial transactions he was imprisoned for debt in New York. He was 
released from jail by the father of the late Desbrosses Hunter to whom 
this fobleman had brought strong letters of introduction, and when 
on his return to Italy the money advanced was returned through Le 
Roy, Bayard & Co., this picture accompanied the draft as a token of 
his gratitude. 


STUART, Gilbert. 


1754-1828. 


1004 PORTRAIT OF WASHINGTON. 


HERRING, John Frederick, R. A. 


1795-1865. 


1005 FEEDING THE HORSE. 


The female figure is intended to represent Queen Victoria. 


MP IN 
F 


1006 RAISING OF LAZARUS. 


1007 


1008 


100g 


IOIO 


IOrt 


PAINTINGS. 21 


CONSTABLE, John, R. A. 


1776-1837. 


LANDSCAPE. HEAD WATERS OF THE LEWISTON 
RIVER. 


From the Edgar Mitchell Collection. 


NICHOLAS BERGHEM. 


1620-1683. 


LANDSCAPE AND CATTLE. 


FLINCK, Govaert. 


1614-1660. 
Pupil of Rembrandt. 


HEAD OF A NOBLEMAN. 


DOLCI, Carlo. 


1618-1686. 


MADONNA. 


A brilliant example. 


CUYP, Aelbert. 


1605-1601. 


LANDSCAPE AND CATTLE. 


An exquisite example of this artist. 


Be? PAINTINGS. 


TITIAN VICELLI. 


1477-1576. 


IOI2 SLEEPING VENUS. 


Painted for Prince Luduvici. 

During the French occupation of Rome this painting was brought into 
the camp of the French commander by a priest who assured him it was 
an original which had been relegated to one of the upper chambers of 
the Vatican by that Pope who, objecting to nude works of art, had 
caused their removal from prominent places. Mr. Paul Forbes, then 
a guest of the French commander, purchased the picture, brought it 
to America, and afterwards parted with it to Mr. Barlow. Other 
proof existed in seals, &c., on the back of the canvas, but in re lining 
the painting this evidence was probably lost. 


VANDYCK, Sir Anthony. 
1599-1641. 
1013 THE CHILDREN OF CHARLES I. 


Prince Charles (afterwards Charles I.) and the Princesses Maria and 
Elizabeth. 

Originally in the Collection of the Earl of Shrewsbury, from there it 
passed into the possession of the Countess of Blessington, at whose sale 
it was purchased by Thos. W. Kennard, of London. 

Although there are five replicas of this famous painting, this example 
presents the difference of a Latin inscription giving the names and ages 
of the three children. 


IOT4 THE ORIGINAL CHALK DRAWING of the above 
Painting taken from life, and probably the only work of the 
painter in the presence of the children, Purchased from 
Sir Charles Eastlake in 1878. 


IOTS AN ENGRAVING sy SIR ROBERT STRANGE from the 
replica of the above Painting in Kensington Palace. Fine 
impression, 


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